At times, the composition resembles human figure – at other times, imaginary shapes.
Consequently, certain parts of the sculpture are a confrontation between real and unreal.
Each artwork, according to its composition, has two imaginary lines, which either move uncontrollably, or clash each other.
Under such dynamic circumstances, the sculpture adopts energy, too.
The variety of textures is in accordance with the innate power of each artwork.
Plaster | 2006